Chantal Akerman
Hotel Monterey (1972)
Akerman's early feature, marked by the influence of structuralist film, explores the interior of a cheap New York hotel.
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Nothing is important, so people, realising that, should get on with their lives, go mad, take their clothes off, jump in the canal, jump into one of those supermarket trolleys, race around the supermarket and steal Mars bars and kiss kittens.
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